Shangri-La, Paradise under Construction
A travelogue through Shangri-La; the fictitious paradise from the classic novel Lost Horizon. Twenty years ago a Tibetan tourist spot in China presented scientific proof that it was the real Shangri-La. In her search for the truth behind the supposed evidence the filmmaker excavates layers of fact and fiction of the area. What words and images have attached themselves to facts? How do stories come into being and how do they shape reality?
Twenty years ago today, news spread around the globe that Shangri-La was found. Zhongdian, a Tibetan region in the South-West of China had found scientific evidence to be the real thing. This was quite impossible, because Shangri-La is a fiction, a paradise devised by James Hilton for his novel Lost Horizon. Hilton had never even been in China at all, he wrote the book in his study in London at the time of the great depression in 1933. The story, which is about four westerners who crash their plane into a mythical Tibetan Paradise, was an instant best seller. Shangri-La became a dream longed for by many Westerners: films were made about it, songs were dedicated to it, and resorts and restaurants were named after it. Thus, it won’t be a surprise that the evidence Zhongdian delivered to prove it was Shangri-La was quite controversial; It seemed nothing more than a marketing stunt.
Curious about the name change Mirka traveled to the area, camera in hand. She wondered: What happens to a place that is destined to be paradise? With precision and imagination, the filmmaker digs through the layers of facts and fictions of the place, thus constantly shifting the view on the mystery. She leads the viewer through the forest of stories that came into existence in the valley over the course of the past twenty years. What words have attached themselves to the facts and how have they become myths? How do stories come to life? How do they relate to reality? What are the consequences of that? And how do you contribute as a tourist?
90 minutes, in post-production
Produced by: De Productie (NL) and Film Kreatörerna (SE)
Director: Mirka Duijn, Nina Spiering
Funded by the Dutch Film Fund, Amsterdam Fund for the Arts and the Swedish Film Fund.